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"Nuthin's goin' to happen to me, Ma," Billy assured her. "I'm feelin' bully. Don't you worry none.",

"That night Maurice Keeler an' me went over to Gamble's an' borrowed his old ferret. He's a big ferret an' he'll tackle anythin', even a skunk. With some keg-hoops an' a canvas sack we had made what we needed to catch the weasels in. Then we put a muzzle on the ferret, so he couldn't fang-cut the weasels, an' we went over to Scraff's. As soon as Joe Scraff saw the ferret he began to see light an' turned into the house to get his shotgun. I told him to remember his promise to let me get the weasels alive, so he set on the fence an' watched while we got busy.,

He sighed and turned to glance back at the cottage resting in the hardwood grove. It looked very homey, very restful to him, beneath its vines of clustering wild-grape and honeysuckle. It was home—home it must be always. And Mary loved it just as he loved it; this he knew. She was a fine woman, a great helpmate, a wonderful wife and mother. She was fair minded too. She loved Billy quite as much as she loved her own son, Anson. Billy must be more careful, more thoughtful of her comfort. He would have a heart to heart talk with his son, he told himself as he went on to the barn.,

Maddoc was silent for a moment. Then his square chin shot forward.

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This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.,

"Both trust me," said Jacobs simply and Maddoc knew that he spoke the truth. He strode across and put his hands on the shoulders of the man from whom he had wrung confession.,

"She has made no meal, then?",

"Come out into the light and let me see where you hurt yourself," she said, oh so gently.